St. Michael Academy welcomes new teachers

PETOSKEY — A trio of recent instructors lately started the faculty 12 months at St. Michael Academy in Petoskey.

Jennifer Eustice

Jennifer Eustice lives in Petoskey and can be coaching biology, chemistry, and artwork.

Eustice has 12 years of coaching experience and formerly taught at Concord Academy Petoskey, the Michigan Virtual Charter Academy and in other long-term positions around Petoskey.

Eustice said she likes to educate because “I love getting to know

teachers

 

 

every day” and her favorite teaching interest is “arms-on sports and the instant where college students have the know-how of ideas.”every day” and her favorite teaching interest is “arms-on sports and the instant where college students have the know-how of ideas.”

Eustice introduced she is looking forward to “the small class size and opportunity to share my interests with the pupil and households wherein I stay.”

Andrew Moe

Andrew Moe lives in Petoskey and could be teaching Theology II, III and IV and Latin II.

This is Moe’s first year of full-time coaching. He formerly becomes a replacement instructor at St. Michael Academy

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“I want to proportion things which might be accurate,” Moe said. “I find nothing greater properly than the fact approximately Jesus and his Church. Latin is enjoyable, however, is in particular useful in its potential to educate us a way to assume and examine.”

Moe stated his favored teaching activity is taking questions from students.

“When a student wants something clarified I recognize they’re engaged,” he stated. “Sometimes it even manner they want to recognize extra about what I’m trying to educate.”

Moe introduced he is calling forward to “seeing students revel in the subjects I teach as lifestyles-converting fact instead of simply ‘things I ought to learn how to graduate.’”

Kurt Grangood

Kurt Grangood, 46, lives in Petoskey and could be coaching English and social research.

Grangood has 21 years of coaching revel in

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“I experience challenging every pupil, to move beyond what they recognize, offering new mind or increasing earlier know-how,” he stated.

Grangood brought his favored teaching interest is “the activity that gives connection.”

In the Red Engine Press January 2006 newsletter, “Yarn spinners and Wordweavers,” Carolyn Howard-Johnson, author of Tracings, writes:

“Auden thought the purpose of poetry is to disenchant. That, my reader, may be why I am not much for rhyme or pretty, though I do like food images, especially sweets. I prefer melancholy, wistful and if a song is sung, let it discord to keep the reader alert make him reconsider. Nursery rhymes are for nurseries, sunsets to be viewed firsthand from a bluff, preferably while holding hands with someone handsome. The tendons of the best poetry are politics, introspection, and the abominable snowmen among us tempered–occasionally–by a look back at where we’ve been. Oh, and irony. That’s better than tiramisu and latté for keeping people talking late into the night.”

In the preface to One Hundred and One Famous Poems, published in 1929, editor Roy W. Cook talks about the great need for poetry in a modern industrial age

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While the modern age, with podcasting and blogs, has made poetry more accessible, poetry is also considered frivolous–and certainly not lucrative. It’s a shame because Carolyn Howard-Johnson’s poetry can make an air raid sound still and hushed. She can let us stand beside an uncle who smells of Barbasol and is on his way to war. The subtle message is clear: Stop. Pay attention. Listen.

Most of us wrote poetry in high school that included protests against parents, petitions to teenage crushes, or the usual “my life stinks, what’s the meaning of it all” poems. As adults, we may dribble our wine-and-cappuccino-soaked angst onto the page. As private therapy, poetry often can’t be beaten, and it certainly helped poet Dessa Byrd Reed heal after a car accident. But Reed turned her recovery writings into a passion for poetry that took her to China recently.

 

It’s easy to get caught up in our own stories without understanding them.

Academy

 

Howard-Johnson peppers her poetry with images of travel, not just global but time travel. She remarks in “Poetry, Quantum Mechanics, and Other Trifles” that her critique group warns her she complicates her poems with too many layers:

“my ingredients, they say, are concealed
behind an opaque pottery bowl;
their matrices misunderstood.
Children we are. No one tells
us the truth of such a grand
dessert.”

The poet Rainer Maria Rilke pointed out the truths of existence in Sonnets to Orpheus, showing us that a young ballet dancer, dead, is not forever gone, but is not visible to us. That’s “the truth of such a grand/dessert.” That’s what poetry is about–revealing, evoking, describing, thought-provoking. Poetry connects the past with the present and future. Howard-Johnson can visit the historic, the war museum in Oslo, and reflect on war as it affected the world:

“Norway’s fjords shed salty droplets on
faces like my father’s. Round faces. Eyes dilute-blue
like the pale skies above them. Men who fought

as Churchill’s Michael  voice crackled  Academy through smuggled  teachers vacuum
tubes.”

Howard-Johnson considers war as it now affects her family:

“Only days before
I reached this spur, I saw my grandson off to war, alone.
A sacrifice. A trade. For my father, who never marched.”

We feel the sense of place in poetry, but the place is fluid, as in Howard-

Michael

 

Johnson’s work–a flight from LAX to Salt Lake City can take her through her own childhood home where her mother washed a slip every night. The unities of time and place in good drama or in a short story can be tweaked in poetry–although often the poet, like a painter, wants to concentrate attention on one time, one place, one concept. Good poetry can tell a story or capture a mood both ways.

Dr. James Ragan, the director of the University of Southern California Master of Professional Writing Program where I graduated in 1999, says in an interview quoted on the Master of Professional Writing Web site:

“You want to challenge yourself. Ask yourself, is my time here going to have the meaning I need for it to have? Poetry has given me that meaning. But then I had to write on the level that allowed me to cross borders as well as time, and that’s the challenge of creation

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Ragan, like Howard-Johnson, strives for universal themes. The personal and the universal are not mutually exclusive. A poem may be peppered with personal details, but may capture a common history (World War II), the need for tolerance (a favorite theme in Howard-Johnson’s work), aging, the fear that a poet has started too late in life, which Howard-Johnson captures in “A Reel Left Running”:

“Now age obscures images, pulled taffy,
whisked meringue, they melt, struggle to be named.

.”

 

 

Biloxi police officer featured in Glamour Magazine’s

A Biloxi police officer was selected to represent Mississippi in a Glamour Magazine’s titled “50 States of Women”, a poll of over 2,000 American women approximately self-esteem and their hopes for the destiny.

Officer Ashleigh Pack is committed to overcoming all obstacles

Magazine’s

 

get in the way of her success, on and stale duty.

Pack’s dedication to her work with the Biloxi Police Department granted her the possibility to be highlighted Glamour’s September 2017 trouble. When it comes to facing adversity, she instructed Glamour, “I accept as true with bad reports mildew us into the human beings were intended to be.”

Below is the entire essay that  Magazine’s  Pack submitted to featured  be considered for the function, police  in which she discusses her accomplishments as a police officer and the importance of being chronic.

At the age of 14, I have become inquisitive about crook justice and law enforcement. I instructed my mom one day while watching Law and Order Special Victim’s Unit that I became going to be “Olivia” after I grew up. I by no means ventured some distance from that intention. In 2004 I graduated High School after which College in 2008 with a Bachelor’s diploma in Criminal Justice. In 2010 I graduated the Harrison County Police Academy. I changed into the handiest girl in my elegance. Throughout the academy, I was required to perform the equal mentally and bodily as all of the men. I turned into in no way as soon as handled in another way with the aid of the instructors or other cadets. After commencement, I began my career in law enforcement and worked hard to come to be a well-rounded and educated officer. I actually have labored on patrol day and night shift, with narcotics venture forces, with a gang prevention undertaking pressure, and in a criminal investigation, department focusing on sexual attacks. The regulation enforcement profession remains a male dominate career and as a lady, I have had to work greater hard in some factors to get in which I am. It is unusual for a person, male or girl, to have had the opportunities to perform and skilled the

Throughout the academy, I was required to perform the equal mentally and

police

bodily as all of the men. I turned into in no way as soon as handled in another way with the aid of the instructors or other cadets. After commencement, I began my career in law enforcement and worked hard to come to be a well-rounded and educated officer. I actually have labored on patrol day and night shift, with narcotics venture forces, with a gang prevention undertaking pressure, and in a criminal investigation, department focusing on sexual attacks. The regulation enforcement profession remains a male dominate career and as a lady, I have had to work greater hard in some factors to get in which I am. It is unusual for a person, male or girl, to have had the opportunities to perform and skilled the multi-faceted factors of regulation enforcement which have been supplied to me thru my difficult work and staying power

w magazine instagram

w magazine address

Throughout the academy, I was required to perform the equal mentally and bodily as all of the men. I turned into in no way as soon as handled in another way with the aid of the instructors or other cadets. After commencement, I began my career in law enforcement and worked hard to come to be a well-rounded and educated officer. I actually have labored on patrol day and night shift, with narcotics venture forces, with a gang prevention undertaking pressure, and in a criminal investigation, department focusing on sexual attacks. The regulation enforcement profession remains a male dominate career and as a lady, I have had to work greater hard in some factors to get in which I am. It is unusual for a person, male or girl, to have had the opportunities to perform and skilled the multi-faceted factors of regulation enforcement which have been supplied to me thru my difficult work and staying power.

I pondered the question “What do I believe in” before figuring out how to solve. The query is vague and is most possibly intended to be; however, even as there are numerous ideas I consider in, all of them appear to be centered on two that cross hand in hand: hard paintings and patience. Hard work and endurance are the premises to living the life you want to live. In this u. S . There is not anything you can’t-do if you are willing to paintings difficult and are chronic for your desires and desires. So many human beings nowadays use terrible life experiences as crutches or excuses no longer to work difficult and pursue their goals. So many people count on things to receive to them as opposed to setting the attempt forth to gain the one’s goals.

w magazine masthead

 I wish extra human beings could comprehend bad experiences in life, a few worse than others, are important to mold us into the human beings were meant to be. If human beings in preferred could have a touch more staying power of their goals and be inclined to work tough to accomplish them, there might be not anything we couldn’t do in this country and on this global.

I had been blessed to be born and live in a rustic where there are infinite

featured

 

 

possibilities. The media will inform you in any other case, however, the fact is in America it doesn’t be counted your race, your faith, your economic popularity, or your gender, you’ve got the possibility to end up whoever you want to be. I am now not announcing that it will be smooth and that it’s going to just be exceeded to you but the possibility is always there in case you are inclined to paintings for it. I am living proof of that as a college graduate of dad and mom with out university degrees and a female in a male-dominated profession. In many other nations, you’re informed what you’ll believe, you’re advised what your profession will be, and whether or not you’re allowed to have a career at all. You are advised how you will stay and the way you may boost your own family. There are few other nations that could have allowed me to visit the college and emerge as a police officer. I have traveled overseas to many other countries and although I loved the enjoy of traveling I haven’t any desire to stay in another USA but America. My America is the possibility.

Featured Showcase Artist: Mile Twelve

The Bluegrass Ramble at IBMA’s World of Bluegrass in Raleigh, NC, offers fanatics with a risk to peer two styles of bands: hooked up businesses with sizable lineup changes or a new sound, and up-and-comers who’re starting to break out into the countrywide traveling and radio scene. One of the thirty bands performing as part of this 12.

One of the thirty bands performing as part of this 12 months’ Ramble

Twelve

 

is Mile Twelve, a young organization based in and around Boston, Massachusetts. They’ve were given a state-of-the-art album set to launch October 27, and that they’re geared up to hit World of Bluegrass for the first time as a complete five-piece band.

Mile Twelve first got here collectively in fall 2014 with 4 founding members. Fiddler Bronwyn Keith-Hynes, banjo participant BB Bowness, and bassist Nate Sabat have been looking for a brand new track venture to end up concerned in, and guitarist Evan Murphy, who changed into additionally interested in joining a brand new institution, had currently moved lower back to his homeland of Boston, near in which the relaxation of the contributors was based. The 4 musicians met up, began operating up authentic material and booking gigs, and a band became born. They brought mandolin participant David Benedict closing fall, and have considering the fact that recorded their first complete-length album and booked excursion dates for the duration of

They brought mandolin participant David Benedict closing fall, and have considering the fact that recorded their first complete-length album and booked excursion dates for the duration of u. S . A . And across the world. In fact, they’ll be journeying New Zealand (domestic of Bowness) and Australia this October.

The new album, Onwards, becomes produced and engineered by Stephen Mougin, who has ended up quite the mentor to younger bands in recent years. The album’s twelve tracks encompass ten originals, with contributions from every band member. “Mile Twelve is devoted to developing and arranging cloth that is authentic to us, and that honors the culture of bluegrass at the same time – not an easy project,” says Keith-Hynes. “We don’t need to rewrite the e-book on bluegrass, we just want to add our small bankruptcy to it. Creating songs which might be real, meaningful, and authentic to us is our pinnacle precedence. That’s what the bluegrass pioneers have been doing.”

Mile Twelve won’t be writing any cabin or mama-in-heaven songs just like the bluegrass pioneers, however, their songs are certainly inspired by way of their own existence stories. Murphy’s Call My Soul, for instance, is about growing up Catholic in Boston. Other songs pay homage to life at the New England coast and within the big city. The track on Onwards, and the band’s music in

Other songs pay homage to life at the New England coast and within the big city. The track on Onwards and the band’s music in trendy may have a conventional bent, even though they discover suggestion everywhere from Celtic tunes to the Punch Brothers to Alan Jackson.

The group is worked up to spend the week in Raleigh and the individuals are searching ahead to each the selecting and the networking possibilities. As show off artists, they’re hoping to meet occasion manufacturers, especially from gala’s, and veteran musicians to function mentors or who are probably searching out an opening act. They additionally hope to find a wider audience for their track and of

They additionally hope to find a wider audience for their track and of the route, earn new fanatics in the procedure. In addition to their showcases, the group plans to wait for the business conference and spend lots of time jamming and networking after hours. “WOB is the location to satisfy and choose with the exceptional bluegrassers on earth,” says Keith-Hynes. “You can locate your self in a jam consultation with one of your heroes!”

Fans and interested listeners can trap Mile Twelve both on the Bluegrass

Showcase

 

 

Ramble and at other diverse showcases at some point of the week. They’ll be on the Architect Bar and inside the Marriott’s Charm City Bluegrass Suite Tuesday night, acting in the convention middle, inside the Boston Bluegrass Room at the Marriott, and on the FloydFest Showcase on Wednesday, and once more in the Boston Bluegrass Room Thursday. The band is likewise a featured performer at Wednesday morning’s Momentum Awards Luncheon. Even even though their new album isn’t set to pop out until the subsequent month, test their report table – they’re certain to have a few increase copies!

In the Red Engine Press January 2006 newsletter, “Yarn spinners and Wordweavers,” Carolyn Howard-Johnson, author of Tracings, writes:

“Auden thought the purpose of poetry is to disenchant. That, my reader, may be why I am not much for rhyme or pretty, though I do like food images, especially sweets. I prefer melancholy, wistful and if a song is sung, let it discord to keep the reader alert make him reconsider. Nursery rhymes are for nurseries, sunsets to be viewed firsthand from a bluff, preferably while holding hands with someone handsome. The tendons of the best poetry are politics, introspection, and the abominable snowmen among us tempered–occasionally–by a look back at where we’ve been. Oh, and irony. That’s better than tiramisu and latté for keeping people talking late into the night.”

In the preface to One Hundred and Featured  One Famous Poems, Twelve published in 1929, editor Roy Showcase  W. Cook talks about the great need for poetry in a modern industrial age.

While the modern age, with podcasting and blogs, has made poetry more

Featured

 

accessible, poetry is also considered frivolous–and certainly not lucrative. It’s a shame because Carolyn Howard-Johnson’s poetry can make an air raid sound still and hushed. She can let us stand beside an uncle who smells of Barbasol and is on his way to war. The subtle message is clear: Stop. Pay attention. Listen.

Most of us wrote poetry in high school that included protests against parents, petitions to teenage crushes, or the usual “my life stinks, what’s the meaning of it all” poems. As adults, we may dribble our wine-and-cappuccino-soaked angst onto the page. As private therapy, poetry often can’t be beaten, and it certainly helped poet Dessa Byrd Reed heal after a car accident. But Reed turned her recovery writings into a passion for poetry that took her to China recently.

 

AFP journalist Kate Webb featured on Australian stamp

A crusading Agence France-Presse correspondent who enjoyed a storied profession masking wars and different ancient activities has been honored on an Australian stamp.

Kate Webb, who died in 2007 at the age of sixty-four, earned a recognition as a fearless reporter during the Vietnam War and overlaying different momentous testimonies in Asia throughout a profession spanning 4 a long time.

She has featured on one in all 5 new stamps unveiled Wednesday

Australian

 

to mark Remembrance Day on November eleven, while a minute’s silence is held to honor those who have fought and died for his or her united states of America. The stamps might be issued on October 6.

“This stamp problem, the fourth in a series commemorating a century considering the fact that World War I, acknowledges the critical roles women have played in conflict and conflict,” said Michael Zsolt of Australia Post.

Webb, who was born in New Zealand but moved to Australia with her own family as a baby, is shown on a stamp marking the Korea and Vietnam wars, together with Red Cross employee Rosemary Griggs.

In 1971 while masking the Vietnam War, Webb turned into reported killed after she was ambushed and taken prisoner by way of North Vietnamese troops in Cambodia, who marched her and 5 others via the jungle in a 23-day ordeal.

A the front-web page obituary was published the New York Times and the body of another lady wrongly recognized as hers — but simply as her own family held a memorial carrier for her in Sydney, Webb and the opposite captives were freed

tickets for australian open 2016

World War I, World War II, the conflicts in Afghanistan and Iraq, and Australia’s position in peacekeeping operations also function within the stamp series.

Prior to and inclusive of World War I, the involvement of Australian girls in warfare zones become nearly entirely constrained to nursing.

By the Vietnam War, they held many jobs, along with as contributors of civilian clinical groups, Red Cross help, entertainers, and reporters. Today, girls are employed all through the military.

AFP in 2008 launched the once a year Kate Webb Prize to realize great Asian newshounds doing tough and perilous paintings across the location.

The 2017 version is presently welcoming programs, with the winner receiving three,000 euros (about $three,575) in cash if you want to be offered at a prize-giving ceremony.

The contest is open to locally hired Asian photograph, video, and text journalists, for paintings posted at some stage in 2016.

Applications close on November 1

In the Red Engine Press January 2006 newsletter, “Yarn spinners and Wordweavers,” Carolyn Howard-Johnson, author of Tracings, writes:

“Auden thought the purpose of poetry is to disenchant. That, my reader, may be why I am not much for rhyme or pretty, though I do like food images, especially sweets. I prefer melancholy, wistful and if a song is sung, let it discord to keep the reader alert make him reconsider. Nursery rhymes are for nurseries, sunsets to be viewed firsthand from a bluff, preferably while holding hands with someone handsome. The tendons of the best poetry are politics, introspection, and the abominable snowmen among us tempered–occasionally–by a look back at where we’ve been. Oh, and irony. That’s better than tiramisu and latté for keeping people talking late into the night.”

In the preface to One Hundred and One Famous Poems, published

stamp

 

 

in 1929, editor Roy W. Cook talks about the great need for poetry in a modern industrial age.

While the modern age, with podcasting and blogs, has made poetry more accessible, poetry is also considered frivolous–and certainly not lucrative. It’s a shame because Carolyn Howard-Johnson’s poetry can make an air raid sound still and hushed. She can let us stand beside an uncle who smells of Barbasol and is on his way to war. The subtle message is clear: Stop. Pay attention. Listen.

Most of us wrote poetry in high school that included protests against parents, petitions to teenage crushes, or the usual “my life stinks, what’s the meaning of it all” poems. As adults, we may dribble our wine-and-cappuccino-soaked angst onto the page. As private therapy, poetry often can’t be beaten, and it certainly helped poet Dessa Byrd Reed heal after a car accident. But Reed turned her recovery writings into a passion for poetry that took her to China recently.

Poetry is relevant in today’s text-messaging high-tech world, as evidenced by all the poetry Web sites. It speaks of love, as in Elizabeth Barrett Browning’s sonnets. It relates eternal epic truths, as in John Milton’s Paradise Lost. It captures the cry of a generation, as in Allen Ginsberg’s “Howl.” It reflects, as in Walt Whitman’s Leaves of Grass. It makes a cinematic statement about freedom behind bars, as in the movie “Slam.” It speaks of the Divine, as in the poetry of Thich Nhat Hanh. I agree with Carolyn Howard-Johnson that poetry moves us–or it must if we want to move others. Howard-Johnson’s poetry moved Compulsive Reader editor Magdalena Ball to name Tracings to The Compulsive Reader list of “Top Ten Reads of 2005.”

Howard-Johnson journalist pokes   stamp fun at portraits of Australian  poets on poetry magazines, but clearly, loves poetry:

“So long before you took up a pen, wrote pictures,
you imagined them in liquid blue, the stories of others,
your own.”

It’s easy to get caught up in our own stories without understanding them. Howard-Johnson peppers her poetry with images of travel, not just global but time travel. She remarks in “Poetry, Quantum Mechanics, and Other Trifles” that her critique group warns her she complicates her poems with too many layers:

“my ingredients, they say, are concealed 

journalist

 

 

behind an opaque pottery bowl;
their matrices misunderstood.
Children we are. No one tells
us the truth of such a grand
dessert.”

The poet Rainer Maria Rilke pointed out the truths of existence in Sonnets to Orpheus, showing us that a young ballet dancer, dead, is not forever gone, but is not visible to us. That’s “the truth of such a grand/dessert.” That’s what poetry is about–revealing, evoking, describing, thought-provoking. Poetry connects the past with the present and future. Howard-Johnson can visit the historic, the war museum in Oslo, and reflect on war as it affected the world:

“Norway’s fjords shed salty droplets on
faces like my father’s. Round faces. Eyes dilute-blue
like the pale skies above them. Men who fought

as Churchill’s voice crackled through smuggled vacuum
tubes.”

Howard-Johnson considers war as it now affects her family:

“Only days before
I reached this spur, I saw my grandson off to war, alone.
A sacrifice. A trade. For my father, who never marched.”

 

 

 

 

Auckland featured in international design magazine

Seattle-primarily based structure and design magazine ARCADE capabilities the layout-led transformation of Auckland’s public areas in its cutting-edge difficulty.

“A City of Love: Auckland’s Visions of a Public Realm” describes

featured

 

Tāmaki Makaurau as “an exemplary with instructions to share”, and praises Auckland’s “comprehensive, included, and visionary” method to growing a metropolis that people can love.

Read the total ARCADE magazine function “A City to Love: Auckland’s Visions of a Public Realm”

What other towns can analyze from Auckland

Like other cities around the arena, Auckland is experiencing rapid boom this is inflicting strain on transportation, housing, public services and liveability.

This is a love tale – a tale about a metropolis and region remaking itself with the purpose of being a place that its residents will love, a tale about a speak between a metropolis and the folks that live there.

Auckland’s design-led method to metropolis planning and our focus on creating a metropolis that human beings can love have been singled out by means of the file’s authors as classes for different towns.

In addition, Auckland’s integrated transportation community, the revitalization of Wynyard Quarter, and our shared areas and laneways were highlighted as examples of a way to create a colorful and resilient city.

In the Red Engine Press January 2006 newsletter, “Yarn spinners and Wordweavers,” Carolyn Howard-Johnson, author of Tracings, writes:

“Auden thought the purpose of poetry is to disenchant. That, my reader, may be why I am not much for rhyme or pretty, though I do like food images, especially sweets. I prefer melancholy, wistful and if a song is sung, let it discord to keep the reader alert make him reconsider. Nursery rhymes are for nurseries, sunsets to be viewed firsthand from a bluff, preferably while holding hands with someone handsome. The tendons of the best poetry are politics, introspection, and the abominable snowmen among us tempered–occasionally–by a look back at where we’ve been. Oh, and irony. That’s better than tiramisu and latté for keeping people talking late into the night.”

In the preface to One Hundred and One Famous Poems, published in 1929, editor Roy W. Cook talks about the great need for poetry in a modern industrial age.

While the modern age, with podcasting and blogs, has made poetry more accessible, poetry is also considered frivolous–and certainly not lucrative. It’s a shame because Carolyn Howard-Johnson’s poetry can make an air raid sound still and hushed. She can let us stand beside an uncle who smells of Barbasol and is on his way to war. The subtle message is clear: Stop. Pay attention. Listen

synonym for the word featured

another word for physical feature

feature verb synonym

Most of us wrote poetry in high school that included protests against parents, petitions to teenage crushes, or the usual “my life stinks, what’s the meaning of it all” poems. As adults, we may dribble our wine-and-cappuccino-soaked angst onto the page. As private therapy, poetry often can’t be beaten, and it certainly helped poet Dessa Byrd Reed heal after a car accident. But Reed turned her recovery writings into a passion for poetry that took her to China recently.

Poetry is relevant in today’s text-messaging high-tech world,

international

 

 

as evidenced by all the poetry Web sites. It speaks of love, as in Elizabeth Barrett Browning’s sonnets. It relates eternal epic truths, as in John Milton’s Paradise Lost. It captures the cry of a generation, as in Allen Ginsberg’s “Howl.” It reflects, as in Walt Whitman’s Leaves of Grass. It makes a cinematic statement about freedom behind bars, as in the movie “Slam.” It speaks of the Divine, as in the poetry of Thich Nhat Hanh. I agree with Carolyn Howard-Johnson that poetry moves us–or it must if we want to move others. Howard-Johnson’s poetry moved Compulsive Reader editor Magdalena Ball to name Tracings to The Compulsive Reader list of “Top Ten Reads of 2005.”

Howard-Johnson pokes fun at portraits of poets on poetry magazines, but clearly, loves poetry:

“So long before you took up a pen, wrote pictures,
you imagined them in liquid blue, the stories of others,
your own.”

It’s easy to get caught up in our own stories without understanding them. Howard-Johnson peppers her poetry with images of travel, not just global but time travel. She remarks in “Poetry, Quantum Mechanics, and Other Trifles” that her critique group warns her she complicates her poems with too many layers:

“my ingredients, they say, are concealed
behind an opaque pottery bowl;
their matrices misunderstood.
Children we are. No one tells
us the truth of such a grand
dessert.”

The poet Rainer Maria Rilke pointed out the truths of existence in Sonnets to Orpheus, showing us that a young ballet dancer, dead, is not forever gone, but is not visible to us. That’s “the truth of such a grand/dessert.” That’s what poetry is about–revealing, evoking, describing, thought-provoking. Poetry connects the past with the present and future. Howard-Johnson can visit the historic, the war museum in Oslo, and reflect on war as it affected the world:

“Norway’s fjords shed salty international droplets featured on
faces like my father’s  magazineRound faces. Eyes dilute-blue
like the pale skies above them. Men who fought

as Churchill’s voice crackled through smuggled vacuum
tubes.”

Howard-Johnson considers war as it now affects her family:

“Only days before
I reached this spur, I saw my grandson off to war, alone. 

magazine

A sacrifice. A trade. For my father, who never marched.”

We feel the sense of place in poetry, but the place is fluid, as in Howard-Johnson’s work–a flight from LAX to Salt Lake City can take her through her own childhood home where her mother washed a slip every night. The unities of time and place in good drama or in a short story can be tweaked in poetry–although often the poet, like a painter, wants to concentrate attention on one time, one place, one concept. Good poetry can tell a story or capture a mood both ways.

Dr. James Ragan, the director of the University of Southern California Master of Professional Writing Program where I graduated in 1999, says in an interview quoted on the Master of Professional Writing Web site:

“You want to challenge yourself. Ask yourself, is my time here going to have the meaning I need for it to have? Poetry has given me that meaning. But then I had to write on the level that allowed me to cross borders as well as time, and that’s the challenge of creation.”

Ragan, like Howard-Johnson, strives for universal themes. The personal and the universal are not mutually exclusive. A poem may be peppered with personal details, but may capture a common history (World War II), the need for tolerance (a favorite theme in Howard-Johnson’s work), aging, the fear that a poet has started too late in life, which Howard-Johnson captures in “A Reel Left Running”:

“Now age obscures images, pulled taffy,
whisked meringue, they melt, struggle to be named.

So much there is to say, your craft left idle for years,
tools lay fallow, and now, now there is so little time.”

 

Who was Henry Gadsden? Merck & Company chief featured on BBC Two

PHARMACEUTICAL large Henry Gadsden is credited with changing the manner tablets are prescribed and bought around the arena.

A new documentary revealing the maximum influential humans you’ve got by no means heard of will see reporter Jacques Peretti discover the impact of his work.

Reporter Jacques Peretti (pictured) will investigate the effect of Henry

Company

 

 

Gadsden’s visionBBC
1
Reporter Jacques Peretti (pictured) will check out the effect of Henry Gadsden’s vision
Who is Henry Gadsden?

Henry Gadsden was the CEO of pharmaceutical giant Merck & Company between 1965 and 1975.

Mr. Gadsden, a Yale University graduate, oversaw a period of massive growth for the corporation and famously referred to his desire to sell capsules to wholesome human beings to amplify his consumer base.

In the past due 1970s, he told Fortune mag he wanted the taking of medicine to be as regular as chewing gum so the organization should “sell to absolutely everyone”.

Under Gadsden’s stewardship, the business enterprise’s sales quadrupled to $1billion.

He additionally increased spending on research and development from $32million to $125million, reviews Harvard Business School.

A former colleague who served as studies director at Merck said he have been committed to research telling him “We’d try no longer to cut back on studies because that is our future”.

Gadsden died in 1980 aged sixty-nine.

When can I watch Billion Dollar Deals? fortune 100 companies list

fortune 100 best companies

In the Red Engine Press January 2006 newsletter, “Yarn spinners and Wordweavers,” Carolyn Howard-Johnson, author of Tracings, writes:

“Auden thought the purpose of poetry is to disenchant. That, my reader, may be why I am not much for rhyme or pretty, though I do like food images, especially sweets. I prefer melancholy, wistful and if a song is sung, let it discord to keep the reader alert make him reconsider. Nursery rhymes are for nurseries, sunsets to be viewed firsthand from a bluff, preferably while holding hands with someone handsome. The tendons of the best poetry are politics, introspection, and the abominable snowmen among us tempered–occasionally–by a look back at where we’ve been. Oh, and irony. That’s better

 

than tiramisu and latté for keeping people talking late into the night.”

featured

in 1929, editor Roy W. Cook talks about the great need for poetry in a modern industrial age.

While the modern age, with podcasting and blogs, has made poetry more accessible, poetry is also considered frivolous–and certainly not lucrative. It’s a shame because Carolyn Howard-Johnson’s poetry can make an air raid sound still and hushed. She can let us stand beside an uncle who smells of Barbasol and is on his way to war. The subtle message is clear: Stop. Pay attention. Listen.

Most of us wrote poetry in high school that included protests against parents, petitions to teenage crushes, or the usual “my life stinks, what’s the meaning of it all” poems. As adults, we may dribble our wine-and-cappuccino-soaked angst onto the page. As private therapy, poetry often can’t be beaten, and it certainly helped poet Dessa Byrd Reed heal after a car accident. But Reed turned her recovery writings into a passion for poetry that took her to China recently.

Poetry is relevant in today’s text-messaging high-tech world, as evidenced by all the poetry Web sites. It speaks of love, as in Elizabeth Barrett Browning’s sonnets. It relates eternal epic truths, as in John Milton’s Paradise Lost. It captures the cry of a generation, as in Allen Ginsberg’s “Howl.” It reflects, as in Walt Whitman’s Leaves of Grass. It makes a cinematic statement about freedom behind bars, as in the movie “Slam.” It speaks of the Divine, as in the poetry of Thich Nhat Hanh. I agree with Carolyn Howard-Johnson that poetry moves us–or it must if we want to move others. Howard-Johnson’s poetry moved Compulsive Reader editor Magdalena Ball to name Tracings to The Compulsive Reader list of “Top Ten Reads of 2005.”

Howard-Johnson pokes fun at portraits of poets on poetry magazines, but clearly, loves poetry:

“So long before you took up a pen, wrote pictures,
you imagined them in liquid blue, the stories of others,
your own.”

It’s easy to get caught up in our own stories without understanding them. Howard-Johnson peppers her poetry with images of travel, not just global but time travel. She remarks in “Poetry, Quantum Mechanics, and Other Trifles” that her critique group warns her she complicates her poems with too many layers:

“my ingredients, they say, are concealed
behind an opaque pottery bowl;
their matrices misunderstood.
Children we are. No one tells
us the truth of such a grand
dessert.”

The poet Rainer Maria Rilke pointed out the truths of existence in Sonnets

Who

 

to Orpheus, showing us that a young ballet dancer, dead, is not forever gone, but is not visible to us. That’s “the truth of such a grand/dessert.” That’s what poetry is about–revealing, evoking, describing, thought-provoking. Poetry connects the past with the present and future. Howard-Johnson can visit the historic, the war museum in Oslo, and reflect on war as it affected the world:

“Norway’s fjords shed salty droplets on
faces like my father’s. Round faces. Eyes dilute-blue
like the pale skies above them. Men who fought

as Churchill’s voice crackled through smuggled vacuum
tubes.”

Howard-Johnson considers war as it now affects her family:

“Only days before
I reached this spur, I saw my grandson off to war, alone.
A sacrifice. A trade. For my father, who never marched.”

We feel the sense of place in poetry, but the place is fluid, as in Howard-Johnson’s work–a flight from LAX to Salt Lake City can take her through her own childhood home where her mother washed a slip every night. The unities of time and place in good drama or in a short story can be tweaked in poetry–although often the poet, like a painter, wants to concentrate attention on one time, one place, one concept. Good poetry can tell a story or capture a mood both ways.

Dr. James Ragan, the director Company  of the University featured  Southern California Master  Who of Professional Writing Program where I graduated in 1999, says in an interview quoted on the Master of Professional Writing Website:

“You want to challenge yourself. Ask yourself, is my time here going to have the meaning I need for it to have? Poetry has given me that meaning. But then I had to write on the level that allowed me to cross borders as well as time, and that’s the challenge of creation.”

 

 

SNL’ Adds Three Featured Players for Season 43

Gardner is a Groundlings performer and actress whose credits encompass writing and voicing more than one roles on Crackle’s Bryan Cranston-produced animated comedy SuperMansion. She next has an assisting position inside the feature Life of the Party, written via and starring Melissa McCarthy. (McCarthy this month took domestic an Emmy for her function as Sean Spicer on SNL.) Gardner is repped through TalentWorks and Odenkirk Provissiero.

Null is a Chicago-based musical comedian and improviser hailing

Adds

 

 

from iO Chicago. His credits consist of the 2011 film The Heart: The Final Pulse. He is repped by UTA.

 

Additionally, SNL has additionally delivered several new writers for the approaching season, including Sam Jay (Take My Wife), Gary Richardson (The Characters), Erik Marino (Weeds), Andrew Dismukes (Call Me Brother), Steven Castillo (Becoming Red), Claire Friedman and Nimesh Patel (the 2017 White House Correspondents Dinner).

SNL returns for its forty-third season this Saturday with host Ryan Gosling and musical guest Jay-Z. The Lorne Michaels-produced sketch collection will retain to hold its national live telecasts all through the imminent season. Emmy winner Alec Stanley Baldwin is about to return inside the most suitable as President Donald Trump.

SNL capped a banner season forty-two via taking home a main nine Emmy wins this yr, consisting of for cartoon series and cast member Kate McKinnon in addition to McCarthy and 1st earl Baldwin of Bewdley.

“Going into the season, I knew I desired to get it right. We notion it’d be the largest election of our lifetime and we desired to be in the middle of it,” Michaels advised The Hollywood Reporter after SNL’s large Emmy displaying. “We lived week to week, and it changed into one of those years wherein the cast simply rose to any assignment; the writing group of workers did, and the layout team did. No one stated, ‘We’ve handiest were given two hours.’ The president just did this and we have to trade it …. This is a set that changed into united and all of 1 mind and each person sacrificed and supported every other. That’s great you ever get whilst you do the form of display like this.”

In the Red Engine Press January 2006 newsletter, “Yarn spinners and Wordweavers,” Carolyn Howard-Johnson, author of Tracings, writes:

“Auden thought the purpose of poetry is to disenchant. That, my reader, may be why I am not much for rhyme or pretty, though I do like food images, especially sweets. I prefer melancholy, wistful and if a song is sung, let it discord to keep the reader alert make him reconsider. Nursery rhymes are for nurseries, sunsets to be viewed firsthand from a bluff, preferably while holding hands with someone handsome. The tendons of the best poetry are politics, introspection, and the abominable snowmen among us tempered–occasionally–by a look back at where we’ve been. Oh, and irony. That’s better than tiramisu and latté for keeping people talking late into the night.”

In the preface to One Hundred and One Famous Poems, published in 1929, editor Roy W. Cook talks about the great need for poetry in a modern industrial age.

While the modern age, with podcasting and blogs, has made poetry more accessible, poetry is also considered frivolous–and certainly not lucrative. It’s a shame because Carolyn Howard-Johnson’s poetry can make an air raid sound still and hushed. She can let us stand beside an uncle who smells of Barbasol and is on his way to war. The subtle message is clear: Stop. Pay attention. Listen.

Most of us wrote poetry in high school that included protests against parents, petitions to teenage crushes, or the usual “my life stinks, what’s the meaning of it all” poems. As adults, we may dribble our wine-and-cappuccino-soaked angst onto the page. As private therapy, poetry often can’t be beaten, and it certainly helped poet Dessa Byrd Reed heal after a car accident. But Reed turned her recovery writings into a passion for poetry that took her to China recently.

Poetry is relevant in today’s text-messaging high-tech world, as evidenced

Featured

 

 

 

by all the poetry Web sites. It speaks of love, as in Elizabeth Barrett Browning’s sonnets. It relates eternal epic truths, as in John Milton’s Paradise Lost. It captures the cry of a generation, as in Allen Ginsberg’s “Howl.” It reflects, as in Walt Whitman’s Leaves of Grass. It makes a cinematic statement about freedom behind bars, as in the movie “Slam.” It speaks of the Divine, as in the poetry of Thich Nhat Hanh. I agree with Carolyn Howard-Johnson that poetry moves us–or it must if we want to move others. Howard-Johnson’s poetry moved Compulsive Reader editor Magdalena Ball to name Tracings to The Compulsive Reader list of “Top Ten Reads of 2005.”

Howard-Johnson pokes fun at portraits of poets on poetry magazines, but clearly, loves poetry:

“So long before you took up a pen, wrote pictures,
you imagined them in liquid blue, the stories of others,
your own.”

It’s easy to get caught up in our own stories without understanding them. Howard-Johnson peppers her poetry with images of travel, not just global but time travel. She remarks in “Poetry, Quantum Mechanics, and Other Trifles” that her critique group warns her she complicates her poems with too many layers:

“my ingredients, they Players say, are  Featured concealed
behind an Adds  opaque pottery bowl;
their matrices misunderstood.
Children we are. No one tells
us the truth of such a grand
dessert.”

The poet Rainer Maria Rilke pointed out the truths of existence

Adds

 

in Sonnets to Orpheus, showing us that a young ballet dancer, dead, is not forever gone, but is not visible to us. That’s “the truth of such a grand/dessert.” That’s what poetry is about–revealing, evoking, describing, thought-provoking. Poetry connects the past with the present and future. Howard-Johnson can visit the historic, the war museum in Oslo, and reflect on war as it affected the world:

“Norway’s fjords shed salty droplets on
faces like my father’s. Round faces. Eyes dilute-blue
like the pale skies above them. Men who fought

as Churchill’s voice crackled through smuggled vacuum
tubes.”

Howard-Johnson considers war as it now affects her family:

“Only days before
I reached this spur, I saw my grandson off to war, alone.
A sacrifice. A trade. For my father, who never marched.”

We feel the sense of place in poetry, but place is fluid, as in Howard-Johnson’s work–a flight from LAX to Salt Lake City can take her through her own

 

Saturday Night Live Adds 3 New Featured Players

After solid contributors Bobby Moynihan, Vanessa Bayer, and Sasheer Zamata left Saturday Night Live final season, the comic strip display has crammed their spots with 3 new featured gamers: Chris Redd, Heidi Gardner, and Luke Null.

You would possibly recollect Chris Redd, a stand-up comic,

Players

 

 

as the rebellious younger rapper Hunter the Hungry from Popstar: Never Stop Never Stopping who perhaps, or maybe did now not, or maybe did, make Connor’s penis disappear on stage.

 

Heidi Gardner, a Groundlings performer, has an upcoming function in Melissa McCarthy’s new film Life of the Party and has written for Bryan Cranston’s animated display SuperMansion. And Luke Null is a comedian from Chicago who has exactly one film credit score and performs musical comedy, admittedly my least favored form of comedy.

In addition to

In the Red Engine Press January 2006 newsletter, “Yarn spinners and Wordweavers,” Carolyn Howard-Johnson, author of Tracings, writes:

“Auden thought the purpose of poetry is to disenchant. That, my reader, may be why I am not much for rhyme or pretty, though I do like food images, especially sweets. I prefer melancholy, wistful and if a song is sung, let it discord to keep the reader alert make him reconsider. Nursery rhymes are for nurseries, sunsets to be viewed firsthand from a bluff, preferably while holding hands with someone handsome. The tendons of the best poetry are politics, introspection, and the abominable snowmen among us tempered–occasionally–by a look back at where we’ve been. Oh, and irony. That’s better than tiramisu and latté for keeping people talking late into the night.”

In the preface to One Hundred and One Famous Poems, published in 1929, editor Roy W. Cook talks about the great need for poetry in a modern industrial age.

While the modern age, with podcasting and blogs, has made poetry more accessible, poetry is also considered frivolous–and certainly not lucrative. It’s a shame because Carolyn Howard-Johnson’s poetry can make an air raid sound still and hushed. She can let us stand beside an uncle who smells of Barbasol and is on his way to war. The subtle message is clear: Stop. Pay attention. Listen.

Most of us wrote poetry in high school that included protests against parents, petitions to teenage crushes, or the usual “my life stinks, what’s the meaning of it all” poems. As adults, we may dribble our wine-and-cappuccino-soaked angst onto the page. As private therapy, poetry often can’t be beaten, and it certainly helped poet Dessa Byrd Reed heal after a car accident. But Reed turned her recovery writings into a passion for poetry that took her to China recently.

Poetry is relevant in today’s text-messaging high-tech world, as evidenced by all the poetry Web sites. It speaks of love, as in Elizabeth Barrett Browning’s sonnets. It relates eternal epic truths, as in John Milton’s Paradise Lost. It captures the cry of a generation, as in Allen Ginsberg’s “Howl.” It reflects, as in Walt Whitman’s Leaves of Grass. It makes a cinematic statement about freedom behind bars, as in the movie “Slam.” It speaks of the Divine, as in the poetry of Thich Nhat Hanh. I agree with Carolyn Howard-Johnson that poetry moves us–or it must if we want to move others. Howard-Johnson’s poetry moved Compulsive Reader editor Magdalena Ball to name Tracings to The Compulsive Reader list of “Top Ten Reads of 2005.”

Howard-Johnson pokes fun at portraits of poets on poetry magazines, but clearly, loves poetry:

“So long before you took up a pen, wrote pictures, 

Featured

you imagined them in liquid blue, the stories of others,
your own.”

It’s easy to get caught up in our own stories without understanding them. Howard-Johnson peppers her poetry with images of travel, not just global but time travel. She remarks in “Poetry, Quantum Mechanics, and Other Trifles” that her critique group warns her she complicates her poems with too many layers:

“my ingredients, they say, are concealed
behind an opaque pottery bowl;
their matrices misunderstood.
Children we are. No one tells
us the truth of such a grand
dessert.”

The poet Rainer Maria Rilke pointed out the truths of existence in Sonnets to Orpheus, showing us that a young ballet dancer, dead, is not forever gone, but is not visible to us. That’s “the truth of such a grand/dessert.” That’s what poetry is about–revealing, evoking, describing, thought-provoking. Poetry connects the past with the present and future. Howard-Johnson can visit the historic, the war museum in Oslo, and reflect on war as it affected the world:

“Norway’s fjords shed salty droplets on
faces like my father’s. Round faces. Eyes dilute-blue
like the pale skies above them. Men who fought

as Churchill’s  Featured voice crackled through Night Players smuggled vacuum
tubes.”

Howard-Johnson considers war as it now affects her family:

“Only days before
I reached this spur, I saw my grandson off to war, alone.
A sacrifice. A trade. For my father, who never marched.”

We feel the sense of place in poetry, but the place is fluid, as in Howard-Johnson’s work–a flight from LAX to Salt Lake City can take her through her own childhood home where her mother washed a slip every night. The unities of time and place in good drama or in a short story can be tweaked in poetry–although often the poet, like a painter, wants to concentrate attention on one time, one place, one concept. Good poetry can tell a story or capture a mood both ways.

Dr. James Ragan, the director of the University of Southern California

Night

 

 

of Professional Writing Program where I graduated in 1999, says in an interview quoted on the Master of Professional Writing Web site:

“You want to challenge yourself. Ask yourself, is my time here going to have the meaning I need for it to have? Poetry has given me that meaning. But then I had to write on the level that allowed me to cross borders as well as time, and that’s the challenge of creation.”

Ragan, like Howard-Johnson, strives for universal themes. The personal and the universal are not mutually exclusive. A poem may be peppered with personal details, but may capture a common history (World War II), the need for tolerance (a favorite theme in Howard-Johnson’s work), aging, the fear that a poet has started too late in life, which Howard-Johnson captures in “A Reel Left Running”:

“Now age obscures images, pulled taffy,
whisked meringue, they melt, struggle to be named.

So much there is to say, your craft left idle for years,
tools lay fallow, and now, now there is so little time.”

 

Nacho man featured on Topps baseball card

ST. LOUIS – Even even though it is a protracted shot for the Cardinals to win any championships this 12 months, the 2017 season has included some sincerely amusing, memorable moments with a purpose to be remembered for years yet to come.

First, there was really cat. Now we have nacho guy.

card

 

 

Nacho guy become striking out at Busch Stadium on Monday night time, watching the Redbirds play their biggest rival, and playing a few delicious nachos. That’s whilst Jedd Gyorko popped a ball into foul territory and Cubs shortstop Addison Russell went diving into the group after it.

In the process, he kicked the nachos out of nacho man’s hands!

Russell felt so horrific he later added nacho man some new nachos to make matters right. (A nachos superb at Busch does run $9.25 in spite of everything.)

Bracelets are a remarkably beautiful jewelry that brings attention to your hands. Because of their varied styles, it can be a bit of a challenge to choose the perfect one. Bangles, charm bracelets, friendship braids, and leather wraps are all unique, beautiful and a delight to wear. For ideas and tips on how to choose the perfect piece for a friend or loved one, read on!

First, think of the person for whom you are buying this gift. Do they have small or large wrists? Small, delicate bangles and dainty chains look best with smaller arms while chunky gemstones or a cuff would better suit larger limbs. If you have any questions about size, one made with stretch cord is a safe bet.

Consider their lifestyle. Are they active? A snug piece that is less likely to

man

 

 

 

catch on anything is ideal. Do they have young children? Bangles card or cuffs that slip featured on and off are  mana good idea. The elastic will snap when babies tug and loose beads could pose a choking hazard. Do they appreciate finer materials? Gemstones and beaded jewelry will work for them.

The following is a list of the most popular styles of bracelets that will help you find the perfect gift.

  1. Bangles – These are rings that slip over the hand to the wrist. Popular ways to wear this style is in multiples on the arm. These are made of different materials, mainly metal, wood, and acrylic. Inexpensive and versatile, this style is a fashion mainstay.
  2. Charm Bracelets – Once an accessory is worn mainly by young girls, these have been elevated to high fashion status. They consist of a chain with large links made of silver, gold, or steel. Charms are then added to each link at the discretion of the wearer. Some charms may have personal significance but that all depends on the person wearing it.cuffs – Wide statement pieces like these can either be simple or elaborate. Cuffs can be hinged or have a wide opening that allows it to slide easily over the hand. Polished metals are very striking, while studded and crystal cuffs are exceptionally beautiful.Bracelets are a remarkably beautiful jewelry that brings attention to your hands. Because of their varied styles, it can be a bit of a challenge to choose the perfect one. Bangles, charm bracelets, friendship braids, and leather wraps are all unique, beautiful and a delight to wear. For ideas and tips on how to choose the perfect piece for a friend or loved one, read on!

    First, think of the person for whom you are buying this gift. Do they have small or large wrists? Small, delicate bangles and dainty chains look best with smaller arms while chunky gemstones or a cuff would better suit larger limbs. If you have any questions about size, one made with stretch cord is a safe bet.

    Consider their lifestyle. Are they active? A snug piece that is less likely to catch on anything is ideal. Do they have young children? Bangles or cuffs that slip on and off are a good idea. The elastic will snap when babies tug and loose beads could pose a choking hazard. Do they appreciate finer materials? Gemstones and beaded jewelry will work for them.

  3. Tennis Bracelet – Usually made of diamonds, it is a clasped band made of gold, silver or platinum. Named for Chris Evert’s habit of wearing this piece during her tennis matches.
  4. Friendship – Very popular among school kids, this type of intricately woven jewelry is usually made in pairs and shared between two friends. There is an infinite number of patterns and color schemes that you are sure to find one that suits you. Very popular to stack with other bracelets.
  5. Beaded – Beads are made of infinite materials such as wood, glass, crystal, shell, paper, stones, pearls and metal. These are usually strung on an elastic thread for an easy to wear stretch bracelet or wires with clasps for a more sturdy build.
  6. Leather – Wide leather cuffs that are held together with buttons are popular among both men and women. Some may have details tooled into the material. Thinner strips are sometimes woven with gemstones or crystals that wrap around the wrist.

n the process, he kicked the nachos out of nacho man’s hands!

Russell felt so horrific he later added nacho man some new nachos to make

featured

 

matters right. (A nachos superb at Busch does run $9.25 in spite of everything.)

Bracelets are a remarkably beautiful jewelry that brings attention to your hands. Because of their varied styles, it can be a bit of a challenge to choose the perfect one. Bangles, charm bracelets, friendship braids, and leather wraps are all unique, beautiful and a delight to wear. For ideas and tips on how to choose the perfect piece for a friend or loved one, read on!

So that nachos Addison Russell knocked over? The @Cubs shortstop makes matters right. #STLCards

Twitter Ads information and privacy
Now nacho man is being honored on a Topps baseball card. The constrained-version card is officially titled “Head first dive into the stands send nachos flying – Addison Russell MLB Topps now card 655” and is to be had for buy on the Topps website for $nine.Ninety-nine for twenty-four hours most effective.

If you want this type of limited-version playing cards, higher take the leap!

DAVID GUETTA REVEALS WHETHER JUSTIN BIEBER

The DJ hasn’t launched a record in 3 lengthy years, however quickly, lovers may have their hands on a slew of recent cloth.

Guetta currently caught up with Billboard at the 2017 iHeartRadio Festival in which the French musician found out that he’s been tough at work and that he’s got “a variety of appropriate songs” coming down the pipeline.

In truth, the artists went as far as to mention that he’s “quite close” to finishing his approaching album.

Though Guetta revealed that numerous the tune he’s been

WHETHER

 

 

toying with has already been produced, there’s one massive very last step the DJ has yet to address and that’s locating the right artists to lend their vocals to the tracks.

 

“I even have a number of songs, loads of exact songs and quite a few them are produced now. I’m starting to look for artists,” Guetta informed Billboard. “I must make a decision next week about my subsequent single…I don’t like [doing] this due to the fact I like them all.”

Guetta is maintaining fairly tight-lipped close to which artists we’d see featured on his next album. That being stated, there’s one big pop megastar who we understand Guetta has already teamed up with.

Back in June, Guetta joined forces with Justin Bieber to launch an unmarried known as “2U.” If you’ve been digging the tune, the coolest information is Guetta confirmed inside the same interview that his Bieber collab will officially be featured on his new album

how to use whether in a sentence

We can’t wait to get our arms on David Guetta’s new document, and to discover which of our favorite pop stars the EDM celeb has collaborated with this time!

Bracelets are a remarkably beautiful jewelry that brings attention to your hands. Because of their varied styles, it can be a bit of a challenge to choose the perfect one. Bangles, charm bracelets, friendship braids, and leather wraps are all unique, beautiful and a delight to wear. For ideas and tips on how to choose the perfect piece for a friend or loved one, read on!

First, think of the person for whom you are buying this gift. Do they have small or large wrists? Small, delicate bangles and dainty chains look best with smaller arms while chunky gemstones or a cuff would better suit larger limbs. If you have any questions about size, one made with stretch cord is a safe bet.

Consider their lifestyle. Are they active? A snug piece that is less likely to catch on anything is ideal. Do they have young children? Bangles or cuffs that slip on and off are a good idea. The elastic will snap when babies tug and loose beads could pose a choking hazard. Do they appreciate finer materials? Gemstones and beaded jewelry will work for them.

The following is a list of the most popular styles of bracelets that will help you find the perfect gift.Bangles – These are rings that slip over the hand to the wrist. Popular ways to wear this style is in multiples on the arm. These are made of different materials, mainly metal, wood, and acrylic. Inexpensive and versatile, this style is a fashion mainstay.Charm Bracelets – Once an accessory is worn mainly by young girls, these have been elevated to high fashion status. They consist of a chain with large links made of silver, gold, or steel. Charms are then added to each

They consist of a chain with large links made of silver, gold,

REVEALS

 

or steel. Charms are then added to each link at the discretion of the wearer. Some charms may have personal significance but that all depends on the person wearing it.Cuffs – Wide statement pieces like these can either be simple or elaborate. Cuffs can be hinged or have a wide opening that allows it to slide easily over the hand. Polished metals are very striking, while studded and crystal cuffs are exceptionally beautifulTennis Bracelet – Usually made of diamonds, it is a clasped band made of gold, silver or platinum. Named for Chris Evert’s habit of wearing this piece during her tennis matches.Friendship – Very popular among school kids, this type of intricately woven jewelry is usually made in pairs and shared between two friends. There,

wunderground tropical

it is a clasped  WHETHER band made REVEALS  of gold, silve DAVID r or platinum. Named for Chris Evert’s habit of wearing this piece during her tennis matches.Friendship – Very popular among school kids, this type of intricately woven jewelry is usually made in pairs and shared between two friends. There is an infinite number of patterns and color schemes that you are sure to find one that suits you. Very popular to stack with other bracelets.eaded – Beads are made of infinite materials such as wood, glass, crystal, shell, paper, stones, pearls and metal. These are usually strung on

In truth, the artists went as far as to mention that he’s “quite close” to finishing his approaching album.

Though Guetta revealed that numerous the tune he’s been

DAVID

 

toying with has already been produced, there’s one massive very last step the DJ has yet to address and that’s locating the right artists to lend their vocals to the tracks.

 

“I even have a number of songs, loads of exact songs and quite a few them are produced now. I’m starting to look for artists,” Guetta informed Billboard. “I must make a decision next week about my subsequent single…I don’t like [doing] this due to the fact I like them all.”

Guetta is maintaining fairly tight-lipped close to which artists we’d see featured on his next album. That being stated, there’s one big pop megastar who we understand Guetta has already teamed up with.

Beads are made of infinite materials such as wood, glass, crystal, shell, paper, stones, pearls and metal. These are usually strung on elastic thread for an easy to wear stretch bracelet or wires with clasps for a more sturdy build.Leather – Wide leather cuffs that are held together with buttons are popular among both men and women. Some may have details tooled into the material. Thinner strips are sometimes woven with gemstones or crystals that wrap around the wrist.